These notes are as much for me to remember how this project came to be as to inform the listener... The story of not Willie Mack..

Early in winter of 2021 while the Covid-19 Pandemic was going full bore I brought a drumkit into my living room.. Society was still locked down and vaccines were a dim and distant light on the horizon so really why NOT have drums in the living room?! There was plenty of time to work on music so my original plan was to arrange a couple of Cover tunes I wanted to record and as something new to fend off Covid dementia I planned to track the drums myself. I laid down some bed tracks for 'Grandma's Hands' and 'Have You Ever Loved a Woman' and busied myself with adding some guitars. Around this time there was a bit of a lull in the Covid restrictions and I got a call from my friend Dave "Benny" Williams who was climbing the walls looking for some music to work on so I told him about these new tracks and we agreed to get together so he could lay down some Hammond and Piano parts. Tracking with masks on and remaining in separate rooms took some of the fun of of the proceedings but it didn't stop Dave from laying down some amazing keys. As the mixes began to take shape I was getting the feeling that these tunes had potential to be much more than demos and an idea to do a collaborative fanboy bluesy album to pay tribute to some of my favourite artists started to take form. A dark and dusty cupboard in the back of my brain opened and I remembered a couple of unreleased songs I had done a few years back as a collaboration with another Dave: Dave Phillips.. This Dave is also a very talented musician, songwriter and one hell of a singer and this I knew having never met the man in person! Dave and I met on the Interwebs pursuing our common interest in Audio software and he'd written a great song called "Get On Board the Blues" and was looking for collaborators and as it turned out we were both Blues affectionados as well as Geeks. His song and a version of Blind Lemon Jefferson's "See That My Grave is Kept Clean" we had also collaborated on were in need of a little sprucing up but were perfect candidates for this project. As I dug deeper in my tickle trunk of broken dreams and languishing songs I found a couple of Instrumentals I'd written named 'Confluence' and 'Hammond Fried Eggs' and indeed you could have fried eggs on the tubes in the Hammond after Benny was done with that one! Another Cover that I had been dying to try arranging was Fenton Robinson's "You Don't Know What Love is" and it turned out to be a perfect fit as well. As the tracks were coming together I thought some Funk might provide a nice contrast and a funky lick I'd been messing with as a couch doodle grew into a James-Brown-and-the-Average-White-Band-had-a-love-child called "(She Digs My) Funktionality". It grooved but something was missing... it turned out what it needed was some saxophone and Benny came through and hooked me up with his friend Ken Foster who was missing gigging and looking for something to do. Ken came into the studio and proceeded to slay, his great work transformed the song from lacking focus to being one of the highlights! Meanwhile the eternally sunny disposition of my partner Nancy and our admiration for the slide guitar work of Derek Trucks inspired a Rootsy new song called 'When You Smile (I Can See Your Light)" complete with a surprise sax solo.. I'm blessed to play live with the best rhythm section in the world with my literal and musical family in 'Rated Blue' and my son Connor lent his considerable drumming skills where the old man wasn't quite cutting it and my soul brother Peter Cox manifested his patented 'Thunder Magic' on bass and took some of these tunes to funky town!

My heartfelt thanks to everyone who were so incredibly generous with their time and talents, this is a really special project to me and it wouldn't have turned out nearly as well without everyone's unique contributions. One last thing to clarify... since this was a collaborative effort I really wanted to release it under a group name and the names Williams and MacArthur gave me a brainwave to use 'Willie Mack' ... I thought it was a lock, it sounded Bluesy and southern and at the very last second when I submitted the album for streaming Distribution I discovered there were already a few artists working as 'Willie Mack' so I had to think fast. Anyone who has ever had to name a band will tell you it can literally takes months to years to think up a good one and after working on this album for more than a year I didn't want to lose my spot in the submission queue so between that (and malignant narcissism of course) I made a snap decision to put it out under my name. It really wasn't what I had envisioned but it's just a formality and doesn't change the fact that the music is the product of a very fruitful collaboration of chefs... I'm just your waiter!